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{"id":175,"date":"2015-09-30T19:53:36","date_gmt":"2015-09-30T19:53:36","guid":{"rendered":"http:\/\/www.jornalismo.ufop.br\/?page_id=175"},"modified":"2024-03-07T10:10:24","modified_gmt":"2024-03-07T13:10:24","slug":"matriz-curricular-a-partir-de-2015-2","status":"publish","type":"page","link":"https:\/\/jornalismo.ufop.br\/?page_id=175","title":{"rendered":"Matriz Curricular at\u00e9 2023.2 (curr\u00edculo 2)"},"content":{"rendered":"\n

Clique aqui<\/strong><\/a>\u00a0para acessar\u00a0o Projeto Pedag\u00f3gico do Curso de Jornalismo da Ufop, em vigor do per\u00edodo 2015.2 at\u00e9 2023.2<\/p>\n\n\n\n\n\n\n\n
\n
Disciplinas obrigat\u00f3rias
<\/strong><\/h5>\n<\/td>\n<\/tr>\n
C\u00f3digo<\/strong><\/td>\nT\u00edtulo<\/strong><\/td>\nPr\u00e9-requisito<\/strong><\/td>\nHoras
<\/strong><\/span><\/td>\n		Horas\/
aula<\/strong><\/span><\/td>\n		Aulas
te\u00f3ricas<\/strong><\/span><\/td>\n		Aulas
pr\u00e1ticas<\/strong><\/span><\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n
\n
1\u00ba Per\u00edodo <\/strong><\/h5>\n<\/td>\n<\/tr>\n
JOR210<\/span><\/td>\nIntrodu\u00e7\u00e3o ao Jornalismo<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
JOR215<\/span><\/td>\nTeoria da Comunica\u00e7\u00e3o<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR218<\/span><\/td>\nTeorias da Imagem<\/a><\/td>\n–<\/td>\n30<\/td>\n36<\/td>\n2<\/td>\n0<\/td>\n<\/tr>\n
CSO101<\/a><\/td>\nIntrodu\u00e7\u00e3o \u00e0 Sociologia<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
CSO111<\/td>\nMetodologia Cient\u00edfica<\/a><\/td>\n–<\/td>\n30<\/td>\n36<\/td>\n2<\/td>\n0<\/td>\n<\/tr>\n
LET302<\/a><\/td>\nLeitura e Produ\u00e7\u00e3o de Textos I<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n
\n
2\u00ba Per\u00edodo <\/strong><\/h5>\n<\/td>\n<\/tr>\n
JOR216<\/span><\/td>\nApura\u00e7\u00e3o, Reda\u00e7\u00e3o e Entrevista<\/a><\/td>\nJOR210<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR230<\/span><\/td>\nTeorias do Jornalismo<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
JOR240<\/span><\/td>\nFotojornalismo<\/a><\/td>\nJOR218<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSO114<\/td>\nT\u00f3picos em Antropologia<\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
FIL600<\/a><\/td>\nIntrodu\u00e7\u00e3o \u00e0 Filosofia<\/a><\/td>\n–<\/td>\n30<\/td>\n36<\/td>\n2<\/td>\n0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n
\n
3\u00ba Per\u00edodo <\/strong><\/h5>\n<\/td>\n<\/tr>\n
JOR217<\/span><\/td>\nReda\u00e7\u00e3o em Jornalismo<\/a><\/td>\nJOR216<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR219<\/span><\/td>\nEstudos da Linguagem<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR243<\/span><\/td>\nPlanejamento Visual<\/a><\/td>\nJOR218<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
MED161<\/a><\/td>\nPsicologia da Comunica\u00e7\u00e3o<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n
\n
4\u00ba Per\u00edodo <\/strong><\/h5>\n<\/td>\n<\/tr>\n
JOR223<\/span><\/td>\nComunica\u00e7\u00e3o Digital e Hiperm\u00eddia<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR224<\/span><\/td>\nAssessoria de Comunica\u00e7\u00e3o<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR225<\/span><\/td>\nLinguagem Audiovisual<\/a><\/td>\n–<\/td>\n30<\/td>\n36<\/td>\n2<\/td>\n0<\/td>\n<\/tr>\n
JOR226<\/span><\/td>\nLinguagem Sonora<\/a><\/td>\n–<\/td>\n30<\/td>\n36<\/td>\n2<\/td>\n0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n
\n
5\u00ba Per\u00edodo <\/strong><\/h5>\n<\/td>\n<\/tr>\n
JOR227<\/span><\/td>\nCr\u00edtica de M\u00eddia e \u00c9tica Jornal\u00edstica<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR250<\/span><\/td>\nRadiojornalismo<\/a><\/td>\nJOR216 \/ JOR226<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR260<\/span><\/td>\nTelejornalismo<\/a><\/td>\nJOR216 \/ JOR225<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n
\n
6\u00ba Per\u00edodo <\/strong><\/h5>\n<\/td>\n<\/tr>\n
JOR628<\/span><\/td>\nLaborat\u00f3rio Integrado I<\/td>\nJOR210 \/ JOR216 \/ JOR217 \/ JOR223 \/ JOR225 \/ JOR226 \/ JOR240 \/ JOR243 \/ JOR250<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
JOR245<\/span><\/td>\nM\u00e9todos e T\u00e9cnicas de Pesquisa em Comunica\u00e7\u00e3o<\/a><\/td>\n1200 horas \/ JOR215 \/JOR230<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n
\n
7\u00ba Per\u00edodo <\/strong><\/h5>\n<\/td>\n<\/tr>\n
JOR235<\/span><\/td>\nTrabalho de Conclus\u00e3o de Curso I<\/a><\/td>\n1200 horas \/ JOR215 \/ JOR230 \/ JOR245<\/td>\n150<\/td>\n150<\/td>\n11<\/td>\n0<\/td>\n<\/tr>\n
JOR236<\/span><\/td>\nLaborat\u00f3rio Integrado II: Grande Reportagem<\/a><\/td>\nJOR210 \/ JOR216 \/ JOR217 \/ JOR240 \/ JOR243<\/td>\n90<\/td>\n108<\/td>\n3<\/td>\n3<\/td>\n<\/tr>\n
JOR237<\/span><\/td>\nOficina de Est\u00e1gio<\/a><\/td>\n1200 horas<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n
\n
8\u00ba Per\u00edodo <\/strong><\/h5>\n<\/td>\n<\/tr>\n
JOR238<\/span><\/td>\nTrabalho de Conclus\u00e3o de Curso II<\/a><\/td>\n1200 horas \/ JOR215 \/ JOR230 \/ JOR235 \/ JOR245<\/td>\n300<\/td>\n300<\/td>\n16<\/td>\n0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
Disciplinas eletivas<\/strong><\/h5>\n<\/td>\n<\/tr>\n
JOR281<\/a><\/td>\nDocument\u00e1rio<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR500<\/a><\/td>\nJornalismo Biogr\u00e1fico<\/a><\/td>\nCSA216 \/ CSA217<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA502<\/a><\/td>\nComunica\u00e7\u00e3o e Cultura Popular<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA503<\/a><\/td>\nProdutos e Processos Editoriais<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA505<\/a><\/td>\nJornalismo Econ\u00f4mico<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA506<\/a><\/td>\nJornalismo Pol\u00edtico<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA509<\/a><\/td>\nJornalismo Cultural<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA511<\/a><\/td>\nAn\u00e1lise do Discurso Midi\u00e1tico<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA513<\/a><\/td>\nPol\u00edticas P\u00fablicas em Comunica\u00e7\u00e3o<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA514<\/a><\/td>\nHist\u00f3ria da Comunica\u00e7\u00e3o<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA515<\/a><\/td>\nEstudos Sociais da Linguagem<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA516<\/a><\/td>\nComunica\u00e7\u00e3o, Tecnologia e Subjetividade<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA517<\/a><\/td>\nProdu\u00e7\u00e3o e Experimenta\u00e7\u00e3o Audiovisual<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA518<\/a><\/td>\nIntrodu\u00e7\u00e3o ao Cinema<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA525<\/a><\/td>\nJornalismo em Quadrinhos<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA526<\/a><\/td>\nJornalismo e Dispositivos M\u00f3veis<\/a><\/td>\nCSA223<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA528<\/a><\/td>\nDesign de Informa\u00e7\u00e3o: Infografia e Visualiza\u00e7\u00e3o de Dados<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA529<\/a><\/td>\nPesquisa Etnogr\u00e1fica e Jornalismo<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
JOR530<\/a><\/td>\nEst\u00e9tica e Comunica\u00e7\u00e3o<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA531<\/a><\/td>\nProcesso Criativo entre Linguagens<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA532<\/a><\/td>\nWebradio<\/a><\/td>\nCSA226 \/ CSA 250<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA533<\/a><\/td>\nJornalismo Visual<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA534<\/a><\/td>\nPanorama Hist\u00f3rico da Fotografia<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA535<\/a><\/td>\nIntrodu\u00e7\u00e3o \u00e0 Teoria e \u00e0 Cr\u00edtica da Imagem Fotogr\u00e1fica<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA536<\/td>\nProdu\u00e7\u00e3o de Artigos Cient\u00edficos<\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA539<\/a><\/td>\nArte Sonora<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA540<\/a><\/td>\nComunica\u00e7\u00e3o e Seus P\u00fablicos<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA544<\/a><\/td>\nDitadura e M\u00eddia no Brasil<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA545<\/a><\/td>\nLeitura e Express\u00e3o Oral nos Processos Comunicativos<\/a><\/td>\nCSA216<\/td>\n30<\/td>\n72<\/td>\n2<\/td>\n0<\/td>\n<\/tr>\n
CSA546<\/a><\/td>\nPesquisa em Comunica\u00e7\u00e3o<\/a><\/td>\n–<\/td>\n30<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA547<\/a><\/td>\nG\u00eanero e Jornalismo<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
JOR<\/a>548<\/a><\/td>\nG\u00eaneros Emergentes em Jornalismo de R\u00e1dio<\/a><\/td>\n–<\/td>\n30<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA549<\/a><\/td>\nJornalismo e Literatura<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA566<\/a><\/td>\nJornalismo Especializado em Turismo<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA567<\/a><\/td>\nRadiodocument\u00e1rio<\/a><\/td>\nCSA226 \/ CSA250<\/td>\n30<\/td>\n72<\/td>\n2<\/td>\n0<\/td>\n<\/tr>\n
JOR568<\/a><\/td>\nConverg\u00eancia e Processos Jornal\u00edsticos<\/a><\/td>\n–<\/td>\n30<\/td>\n72<\/td>\n2<\/td>\n0<\/td>\n<\/tr>\n
CSA569<\/a><\/td>\nTelevis\u00e3o: G\u00eaneros e Formatos<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA570<\/a><\/td>\nProjeto Gr\u00e1fico<\/a><\/td>\nCSA243<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR571<\/a><\/td>\nProjeto Fotogr\u00e1fico<\/a><\/td>\nCSA240<\/td>\n30<\/td>\n72<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
CSA572<\/a><\/td>\nCr\u00edtica Musical<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR573<\/a><\/td>\nT\u00f3picos Especiais em Jornalismo de Revista<\/a><\/td>\n–<\/td>\n30<\/td>\n72<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
JOR574<\/a><\/td>\nT\u00f3picos Especiais em Jornalismo: R\u00e1dio e V\u00eddeo<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR575<\/a><\/td>\nT\u00f3picos Especiais em Jornalismo: Teorias da Imagem<\/a><\/td>\n–<\/td>\n30<\/td>\n72<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
JOR576<\/a><\/td>\nT\u00f3picos Especiais em Reda\u00e7\u00e3o Jornal\u00edstica<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA577<\/a><\/td>\nT\u00f3picos Especiais em Jornalismo: \u00c9tica e Cr\u00edtica<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR578<\/a><\/td>\nT\u00f3picos Especiais em Teoria da Comunica\u00e7\u00e3o<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR579<\/a><\/td>\nIntrodu\u00e7\u00e3o \u00e0 Comunica\u00e7\u00e3o Digital<\/a><\/td>\n–<\/td>\n30<\/td>\n72<\/td>\n2<\/td>\n0<\/td>\n<\/tr>\n
CSA580<\/a><\/td>\nComunica\u00e7\u00e3o e Diversidade<\/a><\/td>\n–<\/td>\n30<\/td>\n72<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
CSA581<\/a><\/td>\nM\u00eddia e Mem\u00f3ria<\/a><\/td>\n–<\/td>\n30<\/td>\n72<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
CSA582<\/a><\/td>\nM\u00eddia e Cidadania no Brasil<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
LET966<\/a><\/td>\nIntrodu\u00e7\u00e3o a Libras<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA617<\/a><\/td>\nComunica\u00e7\u00e3o n\u00e3o violenta<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA618<\/a><\/td>\nLeituras brasileiras: pressupostos te\u00f3ricos<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
CSA619<\/a><\/td>\nLeituras brasileiras: pensamento brasileiro tradicional<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
CSA620<\/a><\/td>\nLeituras brasileiras: culturalismo e modernidade<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
CSA621<\/a><\/td>\nLeituras brasileiras: institucionalismo e identidade<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
CSA622<\/a><\/td>\nLeituras brasileiras:\u00a0teorias contempor\u00e2neas<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
CSA623<\/a><\/td>\nCi\u00eancia e Sociedade<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n4<\/td>\n0<\/td>\n<\/tr>\n
CSA624<\/a><\/td>\nGest\u00e3o de Conte\u00fado e An\u00e1lise de Redes Sociais<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA625<\/a><\/td>\nComunica\u00e7\u00e3o, Inf\u00e2ncia e Adolesc\u00eancia<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR626<\/a><\/td>\nDire\u00e7\u00e3o de Fotografia<\/a><\/td>\n–<\/td>\n30<\/td>\n36<\/td>\n1<\/td>\n1<\/td>\n<\/tr>\n
CSA583<\/a><\/td>\nCorporalidades<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
CSA627<\/a><\/td>\nM\u00eddia e gastronomia<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
JOR403<\/a><\/td>\nDivulgac\u0327a\u0303o e Comunicac\u0327a\u0303o Cienti\u0301fica<\/a><\/td>\n–<\/td>\n60<\/td>\n72<\/td>\n2<\/td>\n2<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n
\n

S\u00edntese dos componentes curriculares para integraliza\u00e7\u00e3o do curso<\/h4>\n<\/td>\n<\/tr>\n

\n

Disciplinas Obrigat\u00f3rias
<\/span><\/span><\/span><\/p>\n<\/td>\n

1620<\/span><\/span><\/span><\/td>\n<\/tr>\n
Disciplinas Eletivas<\/span><\/span><\/span><\/td>\n360<\/span><\/span><\/span><\/td>\n<\/tr>\n
Trabalho de Conclus\u00e3o de Curso
<\/span><\/span><\/span><\/td>\n		480 <\/span><\/span><\/span><\/td>\n<\/tr>\n
Est\u00e1gio<\/span><\/span><\/span><\/td>\n340<\/span><\/span><\/span><\/td>\n<\/tr>\n
Atividade Acad\u00eamico-Cient\u00edfico-Cultural (ATV)
<\/span><\/span><\/span><\/td>\n		200<\/span><\/span><\/span><\/td>\n<\/tr>\n
TOTAL
<\/strong><\/span><\/span><\/span><\/td>\n		3000<\/span><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/p>\r\n